Gemini Man (2019) Movie Trailer :
Gemini Man is a 2019 American action thriller film[3] directed by Ang Lee and written by David Benioff, Billy Ray, and Darren Lemke. Starring Will Smith, Mary Elizabeth Winstead, Clive Owen, and Benedict Wong, the film follows a hitman who is targeted by a younger clone of himself while on the run from the government.
Originally conceived in 1997, the film went through development hell for nearly 20 years. Several directors, including Tony Scott, Curtis Hanson, and Joe Carnahan, were all attached at some point and numerous actors, including Harrison Ford, Mel Gibson, and Sean Connery, were set to star. In 2016, Skydance Media purchased the rights to the screenplay (which had been through several rewrites) from Disney and in October 2017, Ang Lee signed on to direct for Skydance with Paramount handling the distribution rights. Filming took place from February through May 2018.
Gemini Man (2019) Movie Cast & Crew :
An over-the-hill hitman faces off against a younger clone of himself.
Gemini Man (2019) Movie Story :
This movie is a step in the right direction for Big Willie prior to the disaster which was After Earth. I think people are being way too harsh on this movie because it’s a Will Smith movie which can enjoyed watching online. It almost like they wanted this movie to flop compared to the overrated Joker movie. And to be honest i free downloaded the movie Gemini Man. When these same critics praised Rambo: The Last Blood which I enjoyed but it was also a standard action flick. What I loved about this film was the all star cast with Mary Elizabeth Winstead as Toast, Benedict Wong as the pilot friend Baron, and Will Smith as Henry (older Will Smith)/ Junior (clone Will Smith). Also Clive Owen as the bad guy Clay. I also liked we got some classic Will Smith and I found myself laughing a different moments throughout the film. The cast had pretty good chemistry and the character of Junior had some depth in discovering who he really was and what he was designed to be by his father Clay. This movie was like an inferior version of I Am Legend and The 6th Day. So, I hope this movie first week failure which will be recouped once the film goes overseas will not hinder Will Smith from returning to his glory days as the twenty million dollar man, the box office king, the leading man A-list actor, and the number one movie at the box office. He’s heading back in the right direction, but has to pick better directors with better scripts and better writing. Regardless of how good he is as an actor, he can only carry a film so much. I hope the billion Aladdin made earlier this year is enough of a cushion.
Now, onto the bad parts. The CGI was overhyped. Will Smith kept talking about how the character of Junior was the first 100% CGI character,, while everyone else was thinking, “Oh, they shaved his beard.” Will Smith has aged well, used some Photoshop to smooth out the wrinkles here and there, add a flat top, and you have a 20 year old Will Smith without the high cost of CGI. The CGI looks unspectacular. The night scenes were better, but in this day scenes, you can see it’s a CGI character, equivalent to a video game character. We checked out the movie because it was Will Smith. It probably would have been better if Will Smith just played a double of himself like Arnie did in the 6th day. The CGI was an unnecessary gimmick.
Nothing is wrong with the script, but it was too generic for an overhyped movie. This movie script went through production hell, rewrites, and multiple actors being linked to the role for years. To get this script greenlit, the producers banked on Will Smith’s star power. Yet, even with Will’s charisma and acting his butt off, even the best of actors can’t save a mediocre script and chunky dialogue. This goes the same for the rest of the cast. Clive Owen’s talent is wasted here as a generic villain. The characters aren’t given much to do and the script became confused with its message it was trying to convey and contradicted itself sometimes.
Yet. it wasn’t a bad movie. Just mediocre and a movie you have seen a doesn’t time. It had the potential to be above average if it focused less on the gimmicks and more on the story. The action scenes, the cast, and the cinematography were fine. Yet, the script could have been so much better. If this script was as strong as the cast, then it would have been a better, deeper movie.
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Gemini Man (2019) Movie Review :
Digital youthification and deepfakery is the new frontier in studio movies, taking regular live-action films into a deeper uncanny valley. Martin Scorsese’s The Irishman features a young-looking Robert De Niro and now comes this very odd, dodgily acted, semi-intentionally bizarre action-thriller directed by Ang Lee and written by David Benioff, Billy Ray and Darren Lemke. It stars Will Smith as Brogan, a special-forces assassin who discovers his corrupt government paymasters are harbouring a secret and subsequently finds there is a new and worryingly familiar-looking young assassin in town. It’s a youngster who has, to coin a phrase, started making trouble in the neighbourhood.
This eerily recognisable young dude with the jarhead hair and lovable jug ears has been sent to take Brogan out – it’s himself, aged 23, a digitally rejuvenated Will Smith. This cloned version of Brogan was secretly created by his creepy boss Varris (Clive Owen) as part of Varris’s ethically suspect “Gemini project”, a boys-from-Brazil-type plan to create biotech copies of the very best warriors.
Joining forces with tough agent Danny (Mary Elizabeth Winstead) and plucky pal Baron (Benedict Wong), Brogan hits back against this techno-Freudian nightmare, travelling to Georgia, Colombia and Hungary – because Baron has somehow been able to borrow a Gulfstream jet to fly them everywhere. But worrying about the plausibility of that jet is beside the point when you’ve got Young Will Smith™️ running around the place.
The digitally de-wrinkled Smith isn’t great news for the career of Jaden Smith (the real-world son of Will) because this pseudo-young Will Smith is pretty realistic, in fact sort of on a par with the real thing – and the older Smith meets the digital youngster half way by being a bit more wooden than usual. So we could be in for Will Smith action movies for the next thousand years.
The technical effect of the film is strange. As with his last film, Billy Lynn’s Long Halftime Walk, Ang Lee is shooting in high frame-rate, which creates a new pin-sharp clarity but at the expense of making the film look like video – or like a celluloid movie on a plasma TV when you haven’t de-activated motion smoothing. It’s not a taste I want to acquire.
Some of the fight scenes are great, and there’s a rousing confrontation between Smiths young and old, involving some nifty leaping from roof to roof that reminded me of Lee’s cracking early film Crouching Tiger, Hidden Dragon. The juxtaposition of the real and digital faces gives the initial motorbike action scenes an interesting Grand Theft Auto effect. But the rest of the film is a very hard slog, with Smith in permanent danger of being upstaged by a handful of pixels, and Winstead and Wong sporting the slightly bemused-neutral expression of people having to react to a green screen – or perhaps that is the response Smith naturally elicits from his co-stars these days. And this solemn film never really cottons on to something that could have made it fly: the comic possibilities.
The digital novelty is striking for the first 10 minutes, silly for the next 10 minutes, and by the end of the movie you’re pining for the analogue values of script and direction. A wittier, smarter riff on everything could have saved this and Smith can play lighter material. Gemini Man has been born under an unfortunate sign.
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